
Female Portrait Statement
My works of Female Portraits are inspired from the early depiction of the female portrait, and combine my passion for the Renaissance portrait, and for the relationship between the sitter and the viewer.
As a young artist, I lived from 1970-1983 in Italy and Mexico, where I got inspired by iconography and it’s special connection between the sitter and the viewer. This interest evolved further into the early Renaissance and to the Quattrocento’s depiction of the female portrait. This marked the turning point in female portraiture from the earlier profile portrait of idealized woman to the three-quarter portraits which now expressed both emotion, personality, and direct eye contact with the viewer.
My work is often monumental and through my special newspaper weaving technique shows many characteristics common to both mosaic art and to the art of goblins.
I still travel to Italy each year for work and to renew my interest and admiration of Renaissance art
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Female Portrait Statement

My works of Female Portraits are inspired from the early depiction of the female portrait, and combine my passion for the Renaissance portrait, and for the relationship between the sitter and the viewer.
As a young artist, I lived from 1970-1983 in Italy and Mexico, where I got inspired by iconography and it’s special connection between the sitter and the viewer. This interest evolved further into the early Renaissance and to the Quattrocento’s depiction of the female portrait. This marked the turning point in female portraiture from the earlier profile portrait of idealized woman to the three-quarter portraits which now expressed both emotion, personality, and direct eye contact with the viewer.
My work is often monumental and through my special newspaper weaving technique shows many characteristics common to both mosaic art and to the art of goblins.
I still travel to Italy each year for work and to renew my interest and admiration of Renaissance art
gugger

Female Portrait Statement
My works of Female Portraits are inspired from the early depiction of the female portrait, and combine my passion for the Renaissance portrait, and for the relationship between the sitter and the viewer.
As a young artist, I lived from 1970-1983 in Italy and Mexico, where I got inspired by iconography and it’s special connection between the sitter and the viewer. This interest evolved further into the early Renaissance and to the Quattrocento’s depiction of the female portrait. This marked the turning point in female portraiture from the earlier profile portrait of idealized woman to the three-quarter portraits which now expressed both emotion, personality, and direct eye contact with the viewer.
My work is often monumental and through my special newspaper weaving technique shows many characteristics common to both mosaic art and to the art of goblins.
I still travel to Italy each year for work and to renew my interest and admiration of Renaissance art
gugger

2009 Exhibit – AS Gallery – Madonna #1 – 79″x63″

Woman With Braided Hair | 66″x45″ | 2022

Woman in Black Dress | 62″x46.5″ | 2022

Portrait of a Woman | 66″x45″ 2019

Woman with Black Hair | 59″x52″ | 2026

Female Portrait #5 | 73″x55″ | 2018

Portrait of a Young Woman | 41″x30″| 2015

Portrait of a Young Woman #40 | 38.5″x25″ | 2025

Portrait of a Young Woman #20 | 39.5″x30″ | 2017

Portrait of a Young Woman #10 | 41″x31.5″ | 2025

Portrait of a Young Woman #30 | 39″x24″ | 2015

Portrait of a Young Woman #80 | 39″x29″ | 2025

Portrait of a Young Woman #2 | 41″x27″ | 2015

Portrait of a Young Woman #32 | 37.5″x31″ | 2019

Woman | 48.5″x39″ | 2023

Study of a Young Female Face #10 | 32.5″x26″ | 2026

Female Head/Madonna #17 | 78″x57″ | 2009

Young Woman Portrait #10 | 38″x32″ | 2022

Study of a Female Face #3 | 32.5″x26.5″ | 2026

Young Woman #102 | 41″x32″ | 2022

Woman with Golden Dress | 40″x30″ | 2024

Female Head #16 | 2003

Small Female Head, Maestá #1 | 7″x6.5″ | 2015

Female Head Maestá #2 | 9″x7″ | 2014

2009 Exhibit – AS Gallery – Madonna #1 – 79″x63″

Portrait of a Woman | 66″x45″ 2019

Portrait of a Young Woman | 41″x30″| 2015

Portrait of a Young Woman #10 | 41″x31.5″ | 2025

Portrait of a Young Woman #2 | 41″x27″ | 2015

Study of a Young Female Face #10 | 32.5″x26″ | 2026

Study of a Female Face #3 | 32.5″x26.5″ | 2026

Female Head #16 | 2003

Woman With Braided Hair | 66″x45″ | 2022

Woman with Black Hair | 59″x52″ | 2026

Portrait of a Young Woman #40 | 38.5″x25″ | 2025

Portrait of a Young Woman #30 | 39″x24″ | 2015

Portrait of a Young Woman #32 | 37.5″x31″ | 2019

Female Head/Madonna #17 | 78″x57″ | 2009

Young Woman #102 | 41″x32″ | 2022

Small Female Head, Maestá #1 | 7″x6.5″ | 2015

Woman in Black Dress | 62″x46.5″ | 2022

Female Portrait #5 | 73″x55″ | 2018

Portrait of a Young Woman #20 | 39.5″x30″ | 2017

Portrait of a Young Woman #80 | 39″x29″ | 2025

Woman | 48.5″x39″ | 2023

Young Woman Portrait #10 | 38″x32″ | 2022

Woman with Golden Dress | 40″x30″ | 2024

Female Head Maestá #2 | 9″x7″ | 2014

2009 Exhibit – AS Gallery – Madonna #1 – 79″x63″

Woman in Black Dress | 62″x46.5″ | 2022

Woman with Black Hair | 59″x52″ | 2026

Portrait of a Young Woman | 41″x30″| 2015

Portrait of a Young Woman #10 | 41″x31.5″ | 2025

Portrait of a Young Woman #30 | 39″x24″ | 2015

Portrait of a Young Woman #2 | 41″x27″ | 2015

Woman | 48.5″x39″ | 2023

Female Head/Madonna #17 | 78″x57″ | 2009

Young Woman #102 | 41″x32″ | 2022

Woman with Golden Dress | 40″x30″ | 2024

Small Female Head, Maestá #1 | 7″x6.5″ | 2015

Woman With Braided Hair | 66″x45″ | 2022

Portrait of a Woman | 66″x45″ 2019

Female Portrait #5 | 73″x55″ | 2018

Portrait of a Young Woman #40 | 38.5″x25″ | 2025

Portrait of a Young Woman #20 | 39.5″x30″ | 2017

Portrait of a Young Woman #80 | 39″x29″ | 2025

Portrait of a Young Woman #32 | 37.5″x31″ | 2019

Study of a Young Female Face #10 | 32.5″x26″ | 2026

Young Woman Portrait #10 | 38″x32″ | 2022

Study of a Female Face #3 | 32.5″x26.5″ | 2026

Female Head #16 | 2003
